![]() Welcome from across the pond. I am currently in Ireland but planned this post in advance. I will most likely be on hiatus until July. Michelle at Michelle Kogan is hosting us today. I love Michelle's work. And I am tempted to take an online class from her. This week I am sharing the second of inspiration pieces that Linda Mitchell sent me. It is a poem, "Coda". It's fitting that next week we will move into summer and so this is our final "spring' Friday. Coda
Noun MUSIC
scarred by ice, snow and wind. Scarred by ice, snow and wind red bud waves fuchsia with survival pride. Red bud bears notes from our sun Written in invisible ink. invisible ink revealed by rain Wintertime is done let us turn toward spring Spring reveals herself in rain soaked woods singing to herself. From woods to shore bluebells hum a rising chorus to answer Spring Spring responds – waits a beat for the trees Now green, these trees are winter wise. © 2022 Linda Mitchell inspiration piece
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![]() Buffy at Buffy Silverman is hosting Poetry Friday today. I was excited to see beautiful lady slipper s on her blog and notice of her new book this fall. How exciting. I recently had the fun opportunity to participate in Spark 51. I asked Linda Mitchell to partner with me on the project. Since we both wanted to send each other an art inspiration piece and a poem inspiration piece, we ended up with four projects. LOL! Today I'm sharing my response to Linda's art inspiration piece. It provided me with the opportunity to delve into Amanda Gorman's Call Us What We Carry for a cento poem. A cento, a poem created of lines and phrases from other previously written poems like a collage. Like a collage, perfect for the mixed media collage that Linda sent me. Penning a Letter Penning a letter to the world as a daughter of it We are walking beside our ancestors Every time we fall heart-first into the news, Life is not what is promised The heart chambered by grief Life, a page, we are only legible when opened to another We rebuild, reconcile, and recover We cannot possess hope without practicing it Reading children’s books, dancing alone to a DJ music We shall only learn when we let this loss, like us sing on & on ~ Call us what we carry If only we’re brave enough to be it ©jone rush macculloch, 2022 The lines are from Call Us What We Carry by Amanda Gorman, 2021:
1. “Ship’s Manifest 2. ”School’s Out” 3. “Fugue” 4. “Life” 5. “Lighthouse” 6. “Compass” 7. “The Hill We Climb” 8. “Every Day We are Learning” 9. “The Miracle of Morning” 10. “Surviving” 11. “Call Up” 12. “The Hill We Climb” ![]()
Welcome to Poetry Friday. Karen at Karen Edmisten* is hosting the round up.
I'm in somewhat late. I had a few poems from a fifth grade class I subbed in recently. So I thought I would share them. ![]() Linda at A Word Edgewise has an unexpected post today as she hosts Poetry Friday It was not the week anyone expected with the tragedy in Texas. Another shooting. Another elementary school. It hits hard. I've checked in with my teacher friends this week. There are no words. And yet I hunker down into poetry. I was thankful for Amanda Gorman's book, Call Us What We Carry. I am working on a project and am using her book. This line resonated with me after Tuesday: So on this meaningful morn, we mourn and we mend ~ “The Miracle of Morning” I wonder how many more shootings will it take, how many more times do we need to mourn and mend? The Poetry Sisters suggested for May's challenge to write a poem using the words string, thread, rope and/or chain. I immediately thought of William Stafford's poem, “The Way It Is". I wrote one earlier in the month. But in response to Tuesday's news, I wrote another. Earlier in May There’s a thread you follow ~ William Stafford ~ In the middle of the night, there’s a moment in a dream a startling discovery, as you pull a red thread unraveling at the bed’s edge you watch the floor vanish into your past and you follow ©jone rush macculloch, 2022 In response to the Texas tragedy.
There’s a thread you follow ~ William Stafford ~ In the middle of the day, there’s a moment in which a classroom doesn’t know their threads of life will unravel. And again, you yell out in anger, asking, when gun safety reform will follow ©jone rush macculloch, 2022 ![]()
It's Poetry Friday and Carmela at Teaching Authors has all the details for today's fabulous poems. At Teaching Authors, there's a sneak peak of a very cool poetry STEAM project and a poem from Imperfect II.
I have been able to sub in the fifth grade classes at my former school. These students are pretty special as they were first graders when I retired. Some of them were in my "Poetry Rocks" afterschool club. And when I've subbed during the last four years, they have had poetry lessons. I have watched them grow as poets.
These two classes did the Color Poem and Art project with a 4 x4 square of a monochromatic collage. It's been fun to bring in some of the papers I use in my art for the students to choose from for their project. ![]()
Welcome to Poetry Friday, hosted by Jama at Jama's Alphabet Soup. She has a fabulous post with Mom filled poems and remembering her mom is photos.
I love this: "What we wouldn’t give for just one more sip of our mothers’ unconditional love." Absolutely, Jama. ![]()
Last Friday, I had the pleasure of subbing in a library and the teacher librarian asked if I would do poetry with the fourth and fifth grade classes. Who's going to turn that down? I've been thinking about ways to use Sylvia Vardell's and Janet Wong's, Things We Do, as mentor text. When you have to teach in a thirty minute class, it's almost like a poetry slam.
I created a quick presentation of four slides, share a couple of poems from the book. (I really love Jack Prelutsky's "Eat"), introduced and guided the students through writing a skinny poem. One thing about these poems is flexibility. Technically, a skinny poem only allows for one word in lines 3, 4,5 and 7, 8, 9 but we flex that rule little. Congrats to Karen Edmisten. She won a copy of Imperfect II. Please email me your address.![]() Matt at Radio, Rhythm & Rhyme has hosting duties this Poetry Friday. Matt has a terrific interview with Leslie Bulion. Here I have an interview with Sally Walker. Thanks to Mary Lee, I got in touch with Anne Irza-Leggat at Candlewick Press. She connected me with two poets for this month that have new books coming out in April. In the fall, I will be interviewing two more poets when their books arrive in the world. ![]() Meet Sally Walker. This picture tell me that she and I could be great friends as I love a good hug with a tree. from early readers to nature books STEM books, history and picture books, Sally has written so many. Earth Verse was her first book written in haiku. Her latest, Out of This World: Star-Studded Haiku, is as she says a "language spaceship" . Through haiku, readers will travel the universe. There's great back matter at the end of the book. Sally was gracious to answer questions I had for her. I loved learning about the diamonds that a certain planet has (read the interview to find out). ![]() JRM: How did you get the idea for Out of This World: Star-Studded Haiku? What was your process for writing this book? SW: The idea began with a haiku that I wrote about Saturn: Rings of rock and dust/circle around Saturn’s waist/cosmic Hula-Hoops. It made me smile, as I remembered summer days spent playing with a Hula-Hoop. It became part of a manuscript with the working title Sci-ku. As I have done in many of my books, I wanted to create a book that would as a bridge to connect science with literature—one that combined facts and language play. Sci-ku’shaiku ranged from geology, to space, to physics, and to biology. I submitted the manuscript to Hilary Van Dusen, my editor at Candlewick. She liked the idea, but felt that the book would be more effective if all of the haiku immersed the reader in one particular scientific field. She was absolutely correct! I narrowed the focus to geology, my number one science love. The manuscript became Earth Verse: Haiku from the Ground Up. The haiku about Saturn ended up on the cutting room floor. Sadly, because I really liked that one. After completing Earth Verse, Hilary asked if I was working on anything else. I wasn’t, but suddenly the “cosmic Hula-Hoops” haiku popped back into my mind. My email reply to her suggested that I do a companion volume to Earth Verse that could be titled Out of This World: Star-studded Haiku. Of course I included the haiku about Saturn among those that I submitted in my formal proposal! Part of my process for writing Out of This World was paying attention to the stars, planets, and the moon as they appear to move across the sky as Earth rotates. Early morning, just before dawn, is my favorite time to be outside. Even on the coldest days, I go for a walk and look at the moon and the stars. Another part of my process was to look at the stellar—ha, ha, that pun was too good to resist—photos on the National Aeronautics and Space Administration’s (NASA) website, www.nasa.gov. It’s an awesome website where one can spend hours immersed in all kinds of space-related information. The photos are beyond belief!! JRM: I think one of the best parts about writing is doing research for a topic. What kind of research did you do for Out of This World? SW: Research is, hands down, my favorite part of being an author! An important part of writing this book, which later morphed into research, came from re-living experiences from my childhood. For example, I remember sitting in the backyard with my father on summer nights. He would point out different constellations—Orion and the Big Dipper are two vivid memories—and tell me stories about how they got their name. My family always watched lunar and solar eclipses. We always used the pinhole in cardboard way to view a solar eclipse safely. One Christmas, when I was about 10 years old, my cousin received a telescope as a gift. He invited us to his house one night so we could see Saturn’s rings. That blew me away! Maybe that’s how Galileo felt when he first saw them. In July 1969, half the people in our neighborhood crowded around the television in my family’s livingroom and watched the Eagle land on the moon. We all held our breath until it touched down and then cheered!! Reality TV at its absolute best!!! I researched scientific papers, books, old newspapers, and NASA’s website about all of these topics for additional information, as well as important updates, to material that I remembered from childhood. Interestingly, research that I’d done for other books gave me a lot of information for Out of This World. My research adventures for Boundaries, my book about the Mason-Dixon line, led to planetarium visits and lots of stargazing. Charles Mason and Jeremiah Dixon drew their famous line of latitude guided by the position of stars. My husband, a volcanologist, was happy to talk with me about the Martian volcano Olympus Mons, the largest volcano in our solar system. In college, when I majored in geology, I learned that scientists theorize that an asteroid strike 65 million years ago likely led to the extinction of dinosaurs on Earth. It seemed natural for me to write a haiku about that. JRM: What was the most surprising discovery you had in writing this book? SW: Good question! One discovery that I knew absolutely NOTHING about was that it rains diamonds on the planet Uranus. That planet, one of our solar system’s four planets that have no solid land surface, has a slushy plasma ocean that surrounds the planet’s solid core. The pressure within the ocean forces carbon atoms to crystallize as diamonds. Because the diamonds are heavier than the surrounding “slush,” they rain downward, toward the core. This discovery also led to a funny research story. When Matthew Trueman was creating the illustration for the haiku diamonds rain, unseen/in a slushy plasma sea/sunken treasure trove, he asked what color the sea was likely to be. I had NO idea. So, I did some research. I emailed Dr. Dirk Gericke and asked him. He is a professor at the Centre for Fusion, Space & Astrophysics, in the Department of Physics, at the University of Warwick, in the United Kingdom. Dr. Gericke has written several papers on Uranus’s plasma sea. He helped me tweak the haiku so it was accurate, but he also consulted with his colleagues about the color of the plasma ocean. While no one can actually see it, their consensus (based on the chemical composition) is that the sea is bluish. I passed this information along to Matthew! JRM: What led you to write this book in haiku? How do you decide if you want to write in prose or haiku? SW: It was always intended to be a combination of haiku and nonfiction prose. My favorite haiku are those that not only make me think or feel about something, but also make me want to discover something new about the “moment” that I encountered while reading a particular haiku. I hope that the haiku in Out of This World will make readers think and ask questions. The narrative section of the book, hopefully, provides answers to some of those questions. Haiku is pretty much the only kind of poetry that I write. But I did not always enjoy it. I remember being taught about haiku in fourth grade. The teacher explained what it was: a short poem that did not rhyme, had only seventeen syllables, and revealed a profound, seasonal moment in nature. We didn’t talk about Japanese culture at all. Nor did we discuss how “less” can actually be “more.” She just read us a few haiku written by Basho and Issa. Sadly, I was too young to appreciate them—at least the ones she read to us. They made me feel “itchy” because I didn’t understand what they were about. When she asked us to write haiku, I felt like I was being asked to write something so profound that it was incomprehensible. Forcing the incomprehensible into a seventeen-syllable, non-rhyming poem made the assignment essentially impossible for me. Now, as an adult, I read a haiku like Basho’s The Old Pond (An old silent pond/a frog jumps into the pond--/Splash! Silence again.) and marvel at it. But the nine-year-old me wouldn’t have understood and appreciated all it encompasses. I would not have savored that exquisite last moment. I would have splashed into the pond and caught the frog. Today’s young readers meet haiku through the mastery of poets such as Paul Janeczko, Janet Wong, and J. Patrick Lewis. Children easily relate to their poems. They meet the reader in a place or moment that she or he can understand. A park bench, a curbside puddle, a beloved pet. That is incredibly powerful and freeing. Modern haiku poets often step outside the traditional guidelines of including a seasonal reference. And they frequently inject humor. Many of the haiku in Earth Verse and Out of This World explore moments in nature, but they are moments that exist for eons. I remember one of my geology professors telling us that in the timeline of life on Earth, humans have existed in the length of time that it takes to light a match and immediately blow it out. The formation of stars, land surfaces being eroded by glaciers and wind, an asteroid that wipes out millions of years of dinosaur existence are natural, cosmic “moments.” They exist on a timeline, the length of which we can scarcely comprehend. Why not write haiku about them? Although some poets write haiku that don’t strictly adhere to the seventeen-syllable format, I choose to do so. I like the challenge of seeking the perfect combination of words to convey an idea or impression in exactly seventeen syllables. It’s a game with language that lets me play with words, something I love to do. It requires lots and lots and lots of mental revision to get the syllable count for each line correct. That’s cool too, because many of the haiku that I write finally reach their “Eureka!” word-choice completion while I am outside walking and appreciating nature! JRM: What are your upcoming projects? SW: My next book is UNDERGROUND FIRE: HOPE, SACRIFICE, AND COURAGE IN THE CHERRY MINE DISASTER. The 1909 Cherry Mine fire is one of the worst coal mine disasters in United States’ history. My home is only 50 miles from Cherry, Illinois, and the story is one that I have wanted to bring to young readers for some years. It’s especially timely, given that it’s a story of immigrants and fossil fuel, both of which figure prominently in the news today. The publication date is October 2022. I do have another haiku book in the pipeline, scheduled for publication in Spring 2023. At the moment the title is TREES: HAIKU FROM ROOTS TO LEAVES. It's a bit early to share much more about it, but I can say that the illustrations are wonderful! Both books are with Candlewick Press. BONUS I: In another email, Sally and I shared an exchange about writing haiku for adults as well as the haiku structure. She shared this haiku Language meanders, words channeled into patterns. Poetic rivers BONUS II: Regarding haiku versus senryu Sally shared this little fact, I enjoy senryu a lot. In fact, I had to avoid producing them when I wrote Earth Verse and Out of This World. Thank you so much, Sally! |
Sylvia and Janet at Poetry for Children are hosting Poetry Friday as they welcome a new book into the world. It's the companion book to Things We Do. |

in the night
Ukrainian Sunflowers
seeds of peace
©2022 Jone Rush MacCulloch
Author
All photos and poems in these blog posts are copyrighted to Jone Rush MacCulloch 2006- Present. Please do not copy, reprint or reproduce without written permission from me.
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30 Michelle Kogan Painting, Illustration, & Writing
1 April 1 Irene at Live Your Poem
2 Donna Smith at Mainly Write
3 Catherine Flynn at Reading to the Core
4 Mary Lee at A(nother) Year of Reading
5 Buffy at Buffy Silverman
6 Molly at Nix the Comfort Zone
7 Kim Johnson at Common Threads
8 Rose Cappelli at Imagine the Possibilities
9 Carol Varsalona at Beyond Literacy Link
10 Linda Baie at Teacher Dance
11 Janet Fagel at Reflections on the Teche
12 Jone at Jone Rush MacCulloch
13 Karin Fisher-Golton at Still in Awe
14 Denise Krebs at Dare to Care
15 Carol Labuzzetta @ The Apples in my Orchard
16 Heidi Mordhorst at My Juicy Little Universe
17 Ruth at There is no such thing as a God-forsaken Town
18 Patricia at Reverie
19 Christie at Wondering and Wandering
20 Robyn Hood Black at Life on the Deckle Edge
21 Kevin at Dog Trax
22 Margaret at Reflections on the Teche
23 Leigh Anne at A Day in the Life
24 Marcie Atkins
25 Marilyn Garcia
26 JoAnn Early Macken
27 Janice at Salt City Verse
28 Tabatha at The Opposite of Indifference
29 Karen Eastlund at Karen’s Got a Blog
30 Michelle Kogan Painting, Illustration, & Writing